In search of Annie Ernaux
IN THE WINTER OF 1972, around the time Manhattan gallerygoers were immersing themselves in Memory—a sprawling installation comprising over a thousand tiled photographs and several hours of tape-recorded text amassed by the American poet Bernadette Mayer—the French writer of memory Annie Ernaux and her then-husband, Philippe, bought a Bell and Howell Super 8 camera. Mayer, who died this year and who in life seemed ahead of the future, once imagined "a computer or device that could record every...