Cary Grant: The Sprint and the Pose
[From Luc Moullet’s Politique des acteurs (1993, Cahiers du cinéma). See Table of Contents] Each of the four limbs follows one or two different directions (Indiscreet, 1958) Cary Grant is in the same boat as Cooper or Wayne: his first films, made for the same company—Paramount, as it happens—during the thirties, offer us a rather aseptic, standardized actor. We have the slightly caricatured proof of that in his role in Blonde Venus (Sternberg, 1932), where he plays opposite M...