Exploring David Lynch obsession with crashing cars in his movies
Since his feature film debut Eraserhead was released in 1977, David Lynch has cemented himself as one of cinema’s most innovative minds. Master of the surreal, his movies often confuse viewers with their use of unconventional cinematic devices, such as nonlinearity and reversed dialogue. However, all of Lynch’s films have one primary concern – the destruction of the American Dream – and recognising this theme makes his work easier to detangle. Lynch’s distinctive visual aesthetic direc...